Platoon, a rather mysterious creative consulting agency based out of Berlin and Seoul, conceived the Gwangju center as an industrial, wide open space with plenty of room to display art. The use of shipping containers arranged in a rectangle allowed them to achieve that cavernous area in the middle of the center, which opens up onto both the first and second floors giving it an even more grand feeling.
“Kunsthalle Gwangju is an art project itself,” says Platoon of the space. “The concept and program involves artists, visitors and the team to interact with each other. This creates new questions, interesting tensions and inspiring moments. As a social sculpture the art is created by the existence of this venue and its interaction with the people. It is not a white cube to display finished art pieces of international artists for mere consumption. Cultural development will be experienced by new art strategies which pose questions of contemporary life and a global society. Kunsthalle Gwangju will invite Korean, Asian and global artists to perform interaction art and develop new local aspects according to the city and citizens of Gwangju.”
The center opened on August 31, 2010 and installed “Tamatar,’’ a collection of 16 styrofoam balls, for their first exhibit.